Friday, April 20, 2018

Lee in Jail


By now, we’ve read about Lee’s formative years in Libra. Lee has gone from a kid on the streets to a marine in Japan. Lee is thrown into prison for “wrongful use of provoking words to a staff noncommissioned officer,” a relatively minor charge when he could be arrested for treason or use of an unauthorized weapon (DeLillo 97).

Lee believes that prison is an incredibly formative experience for great minds and thinks that his stay will be similar. His studies of communism and his idealization(?) of its leaders made him think that being imprisoned or isolated is crucial in his development as a communist. Lee describes Trotsky, Lenin, and Stalin (I’m assuming the description is influenced by his perspective and not purely factual):
“These were men who lived in isolation for long periods, lived close to death through long winters in exile or prison, feeling history in the room, waiting for the moment when it would surge through the walls, taking them with it. History was a force to these men, a presence in the room.  They felt it and waited.” (DeLillo 34).

Once Lee is actually imprisoned, he attempts to make his short stay into something like the lives of Stalin, Lenin, and Trotsky. “He tried to feel history in the cell,” implying that his quest to find the force of history is unsuccessful (DeLillo 100). He is disappointed in Dupard for not being the wise cellmate that he read about. His entire jail stay doesn’t seem particularly successful (if what he was going for was important thought, epiphanies, etc. But then I have no idea how one measures how successful jail time was). I don’t know how critical his jail time was to his development as a communist thinker.

However, “he could see how he’d been headed here since the day he was born,” so he still feels somewhat in place (DeLillo 100). He doesn’t act particularly different when he is in jail (I’m mainly thinking of how he tries to antagonize people). Lee realizes that the jail “was just another name for the stunted rooms where he’d spent his life” (DeLillo 100). This made me think about the other “stunted rooms” he lived in: the Bronx and New Orleans.

This ties in with something else I’ve been noticing: DeLillo uses repetition of phrases, sort of similar to what Kurt Vonnegut does in Slaughterhouse-Five. The one that jumped out to me the most was the phrase “spent serious time…”, firstly because I thought it was odd that a phrase that reminds me distinctly of prison would be used in Lee’s case (because he spent such a short time in jail before getting killed) and secondly because it’s only used with important aspects of his life. A list of all the places where I’ve spotted it:

·       - “Learn the alleys, use the dark. He rode the subways. He spent serious time at the zoo” (DeLillo 6)
·       - “He spent serious time at the library” (studying communist works) (DeLillo 33)
·     -  “Or he sat in an unused office in a far corner of the third floor, where he spent serious time reading the Marine Corps manual” (DeLillo 42)
·     -  “Back in Atsugi he went on a movie binge. He saw every movie twice, kept to himself, spent serious time at the base library, learning Russian verbs.” (DeLillo 112).

Lee’s experiences in all these places and times seem very important and formative. I’m wondering how influential his prison stay actually is to his opinions and development, because he doesn’t really change throughout his prison stay, but communist works and the Marine Corps manual are very influential for him. I’m also excited to see where DeLillo takes Lee’s idea of and experiences in prisons, particularly at the end of the story.

Thoughts?



8 comments:

  1. Wow this is really interesting. I didn't really notice how often DeLillo says "spent serious time." It really does feel like Lee is trying his hardest to be a part of history just like the people he looks up to.

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  2. I direct you to Maggie's blog, she talks about how Billy Pilgrim and Lee are similar, and the repetition here is another good parallel. I'm also reminded of how Slaughterhouse Five is chronologically all over the place, and this novel also follows 3 interspersed storylines. I also like your post's emphasis on the time he's spent in prison, I hadn't really recognized how formative an experience Lee wanted it to be until you pointed it out.

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  3. With Lee, there's always the event itself, and him thinking about that event as part of a larger narrative of his life--as when he's buying the gun from Ferrie, while at the same time imagining himself telling his friend Robert about how he bought the gun from Ferrie. When he lands in the brig, there's the awareness that time served in jail as a "political prisoner" will be significant moment in his future-biography. There's this extra layer of self-consciousness in Lee, where he likes to think of his present actions as they'll be depicted in "history." But DeLillo likes to undermine these moments at the same time: *is* this time in the brig actually "formative"? Does Bobby Dupard "really" fill the role of the wise old con? Does it matter that Lee isn't in the brig for his politically subversive activities, but for a dumb and easily avoided fight with a superior officer? It's not clear that it matters to Lee--we see him crafting his experiences into a version of how they will be "told" sometime in the distant future.

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  4. Great post! I hadn't noticed how often DeLillo uses the phrase "serious time." I wonder if it's meant to be ironic. After all, Lee fails at having a serious, formative experience in jail and the reason he got to jail in the first place is somewhat silly. DeLillo also seems to be partly mocking Lee for his persisting interest in communism and learning Russian so maybe he means that it's not serious at all. On the other hand, sitting down and learning Russian in a library is pretty serious so I'm also not why DeLillo is using it.

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    1. I'm torn between taking Lee as a serious and sincere human who wants to make history and a weird psychotic arrogant guy. I think it's interesting how DeLillo forms his character, as he is our protagonist.

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  5. This is an interesting observation. I think Lee's determination to belong to some group is really a driving force of this book. The phrase "serious time" I think definitely speaks to Lee's character as he himself is always quite serious about his different ideologies and dreams about where is life would go.

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  6. I never noticed how often the phrase "spent serious time" came up in the novel, but it seems so accurately reflective of Lee as a character and how he sees himself. Not many people would characterize a visit to the zoo as a serious, important event, but with Lee everything he does has to have a greater meaning and be important. I think because of his belief in destiny a lot of the time he reads way too much into smaller, not very consequential parts of his life.

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    1. I'm sort of stuck in the middle here because I agree that Lee as a character is sort of serious, but at the same time he is not at all serious. I think the most obvious example would be his failed assassination of Walker. The un-serious part is not the fact that he misses Walker, but that he plans the assassination for the wrong day. This "serious" guy, who is obsessed with communism, can't even check the calendar to make sure that he is assassinating Walker on the right day.

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